![]() A new version of "La Popola" together with fellow-rapper Valentino (of the duo Magnate y Valentino) was also released, entitled "A Popolera". The singles "Perreo 101" and "La Tracionera" with Don Omar are two of her best-known hits. In 2005, she released her debut CD Glou, which, according to the official website, sold over 100,000 copies in Latin America. ![]() One of her most recent hits was " La Popola", which was even banned from some countries for its sexual content. Glory is known to audiences in Central and South America, Spain and the United States. She collaborated on some of the early underground cassettes distributed among the Puerto Rican population, which include: Street Style 1, Street Style 2, and DJ Eric Industry Volumes 1-5. She formed part of the famed "La Industria" or DJ Eric Industry. Listeners may recognize Glory by her distinctive moaning sounds in many reggaeton songs. Juan when he heard a man shout, Echa, mija, como te gusta la. During her career to date, she has collaborated in the productions of artists such as Daddy Yankee ( Gasolina), Luny Tunes y Noriega ( La Gata Suelta), Don Omar ( Dale Don Dale, La Traicionera, Suelta Como Gabete, La Loba), Hector & Tito ( Baila morena), Eddie Dee ( Donde Hubo Fuego) and others. She has popularized phrases such as suelta como gabete ("loose as a shoestring", slang meaning "promiscuous") and dame más gasolina ("give me more gasoline", meaning "more sex"). Glory has one of reggaeton's most recognized female voices. Along with Gasolina, the catchy reggaeton hit about being the best in his lane ultimately put Daddy Yankee, reggaeton, and Latin hip-hop on the international map. Gasolina (English: Gasoline) is a reggaeton song written by Daddy Yankee and Eddie vila for Daddy Yankees 2004 album Barrio Fino. ![]() Everyone plays his or her role on Barrio Fino, which, along with Don Omar's The Last Don (2003), is a milestone reggaetón release for its time.Glory (born Glorimar Montalvo Castro Februin Santurce, San Juan, Puerto Rico), also known as "La Gata Gangster", is a reggaeton singer. But also credit the producers - especially Luny Tunes, who turned this album into a showcase of their hitmaking prowess - and Glory, who sings several of the best hooks and serves as Daddy's sultry female counterpoint. Daddy Yankee deserves a lot of credit for the success of Barrio Fino, for his charisma, energy level, and command of the proceedings are well evident and often infectious. This is partly because Barrio Fino is so long - had a half-dozen songs been trimmed from the running length, it would be a non-stop highlight reel. Only toward the final quarter of the album sequence do the songs begin to grow tiresome. Other highlights include "Dale Caliente," "No Me Dejes Solo," "Tu Principe," and "Que Vas a Hacer?" Actually, the first half of Barrio Fino is remarkably solid. The Luny Tunes collaborations pay the most dividends, with "Gasolina" and "Lo Que Pasó, Pasó" standing tall as album highlights. Daddy Yankee works chiefly with two production teams - Luny Tunes and the trio of Monserrate, Fido, and DJ Urba - though there are also contributions from Eliel, DJ Nelson, Echo & Diesel, and Nely. The first reggaetón album to reach number one on the Billboard Top Latin Albums chart, Barrio Fino covers all the bases over the course of 21 tracks, from all-star collaborations ("No Me Dejes Solo," with Wisin & Yandel "Tu Principe," Zion & Lennox "Sabor a Melao," Andy Montañez) to English-language crossover ("Like You") to empowering political rap ("Corazones"). Already well established in the reggaetón underground, with roughly a decade of street-level experience under his belt, Daddy Yankee broke into the Latin mainstream big time with Barrio Fino.
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